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Tuesday, July 18, 2006

Mga Kumpare't Kumare ko ay maghanda hehehe

  • MIDI...MIDI...MIDI in all aspects :D(sorry, under construction)!!!TANDAAN!!! BAGO MAGCOMMENT AT AFTER MAGCOMMENT PAKI CLICK LANG UNG MGA PATALASTAS SA BANDANG TAAS NG BLOG KO... SA BABA NG HEADER... THANKS!

  • andito na baby ko,yehey!maaga na ko uuwi lagi hehehe.sarap pala talaga ng feeling pag kasama mo na pamilya mo...lalu na pag nakikita mo anak mo na parang nasa harap ka ng salamin hehehe....at kahit wala pang ngipin, ngingitian ka na parang bungal hehehe.

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    A Practical Guide to Musical Composition
    by Alan Belkin 1995-1999

    Part 0003


    Flow vs. break; continuity vs. surprise
    " [...] convincing continuity: one must have that above all other things."
    Elliott Carter (3)
    The distinction between foreground and background has a direct bearing on issues of musical
    flow. To understand this, we need to explore the nature of musical unity and variety.
    It is conventional to speak of unity and variety as the cornerstones of artistic structure. However,
    these concepts can be formulated in a more useful way for composers. Unity is a difficult notion
    to define in music because it relies on memory. Unlike the spatial arts, music takes place in time.
    In particular, the temporal nature of music does not permit perception of the whole except in
    retrospect; or, perhaps more accurately, as an experience spread out over time. Music depends on
    a web of memories and associations that gets richer as the piece progresses. Unity is therefore
    required on (at least) two levels: local flow - the convincing connection of one event to the next -
    and long range association and overall balance.
    Successions of musical ideas can be thought of on a continuum of various degrees of continuity,
    ranging from the smoothest flow to the most abrupt change. Unity and variety thus emerge not as
    separate, but rather as different degrees of same thing. If the flow of the piece provides little
    novelty, the music becomes boring; if there are too many fits and starts, the discontinuities eventually break up the work's coherence.

    The composer's first and most fundamental problem is therefore to ensure that the overall flow is
    not broken from the beginning to the end of the piece. However the degree of novelty must be
    varied at different points.
    The key to controlling this balance between emphasizing common elements and introducing
    novelty lies in the interaction between the perceptual levels described above. If the foreground
    elements are new, the effect will be one of contrast. If the changing elements are more subtle, the
    listener will sense gradual evolution or relative stability. A convincing musical form is not
    possible without many degrees of stability and novelty.

    Beethoven, 3rd Symphony, 1st movement, m.65 ff: Here the change to a new motive (with 16th notes) is in the foreground, but the common repeated notes (upper strings and winds) continuing from the previous passage provide an audible link in the background.


    Any audible musical element can participate in creating connection or novelty. Among the most
    obvious to the listener, and thus the most useful, are:
    register
    Ravel, Pavane pour une infante défunte, m. 13: The 2nd theme is quite similar in character to the
    first theme, but the fact that the oboe opens up a new register (even though the change is quite
    mild) creates an effect of freshness.
    speed (note values or harmonic rhythm)
    Beethoven, Sonata, op 2#1, 2nd theme, m. 20ff: Most of the novelty here comes from the
    accompaniment, which is in steady 8th notes for the first time.
    motives
    Brahms, 3rd Symphony, 1st movement, m.3 ff: the arrival of the new theme in vln. 1 provides
    foreground novelty, while the imitation of the melodic profile of the opening chords (now in the
    bass) adds an element of continuity in the background.
    timbre
    The best example of this Ravel's Bolero: over an extremely repetitive and predictable structure,
    novelty is mainly the result of timbral variation at each presentation of the theme.

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    A Site with Extreme Quality of Music and all usage of it(From Mobile to Film to Ringtone to Score.Where the author, musicians and other artists share their craft...:D
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